It started with the tree. A lone oak on the edge of a hill, mown hay in rows, a valley below and a pale strip of water. A place like that needs nothing competing with it, so there was almost no decor: a few white panels thrown over the branches and a low armful of white flowers and greenery at the roots.
Hanging those panels took longer than the ceremony itself. Tie, pull tight, take down, hang again — ten times over, until the fabric started to fly the way it had to. None of that fuss shows in the finished frames: the cloth looks as if it grew on the oak by itself.










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